Game of Fame: EPOCH

Hey, I’m Chris. I wrote this article and I’m also the founder and Editor of DailyTekk. Lets connect on Twitter, Instagram, Snapchat and YouTube. Check back daily!


In this exciting edition of Game of Fame, DailyTekk gets the skinny on EPOCH, the popular touch-screen FPS game developed by a small group of talented game designers from Australia. Ed Orman, who has been developing games for 15 years, breaks down how EPOCH came into being. Whether you are a mobile game lover or an aspiring game developer, you’re sure to learn something useful, be entertained and come away with a new respect for iOS game development.

Gameplay-wise, in terms of innovations, we really wanted to try and do something on touch-screens that hadn’t been done before. That’s why we focused on the control scheme up front, so we could build something really fluid and intuitive, something that played to the platform’s strengths, and then use that to inform the rest of the game.


We had a “less is more” mentality. We wanted to make sure the player would have time to see the world and the characters we were creating, as well as time to think tactically. We achieved that by removing arbitrary movement and instead focusing on cinematic, spectacular movement within cover.

When it comes to a game’s style and visual aesthetics, we always start out by establishing the core ideas that we’re interested in. These are going to be the foundation that we will build the game on. Once we have that, it’s time to look for the inspiration we need to demonstrate to ourselves that these ideas can work.

We try to draw inspiration from as many different places as possible: we play games (Gears of War, Infinity Blade, Fallout), watch movies (Appleseed, Tetra Vaal, The Road), listen to music (Prodigy, Pendulum, the Inception score), and look at comics (Akira), architecture and art. It all goes into the melting pot.


But I’d say the single biggest influence on the visuals–aside from Andrew James’ implementation of it–was the excellent concept art provided by Andrew Ley. Andrew is a veteran concept artist, with credits that include Bioshock and Killzone, and he condensed all of that vibe and inspiration down into the touch-stone image; a single visual that defined the aesthetic of EPOCH.

As a player, my favorite part of the game is flipping Ninja gun robots! More seriously, I dig games that get me into a Zen frame of mind, and EPOCH has that sort of flow – after playing for a while, my brain just ...

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